It’s hard to describe how this extraordinarily tender book manages to be both heartbreaking and comforting, but it does

New York Times (US)

Duck, Death and the Tulip

Voted one of the 100 greatest children’s books of all time by the BBC

From award-winning author and illustrator, Wolf Erlbruch, comes one of the world’s best children’s books about grief and loss.

In a curiously heart-warming and elegantly illustrated story, a duck strikes up an unlikely friendship with Death. Duck and Death play together and discuss big questions. Death, dressed in a dressing gown and slippers, is sympathetic and kind and will be duck’s companion until the end.

“I’m cold,” she said one evening. “Will you warm me a little?”
Snowflakes drifted down.
Something had happened. Death looked at the duck.
She’d stopped breathing. She lay quite still.

Explaining the topic of death in a way that is honest, lightly philosophical and with gentle humour, this enchanting book has been translated into multiple languages, adapted into an animated movie and short film and performed on stages worldwide.

Wolf Erlbruch received the Hans Christian Andersen Medal in 2006 and was the winner of the Astrid Lindgren Memorial Award in 2017.

“The most extraordinary picture book I’ve seen in many a year.”  Patrick Ness
“I can’t think of another book that tackles so huge a subject with such simple, heartbreaking eloquence.”  Meg Rosoff
“Warm, poignant and witty.”  Anthony Browne

  • – Tender and direct, it is an excellent tool for helping to explain and talk about death, dying and bereavement with children
  • – Loved by adults and children, parents and grandparents, also suitable for schools, grief centres and counsellors

Click here for teacher notes

  • Description

  • Book Details

    Country of Origin Germany
    Reader Age 5-7 year
    Book Size

  • Reviews

    1. International Children’s and Youth Literature Section of the 22nd International Literature Festival Berlin

      Winner of Das außergewöhnliche Buch 2022 (The Extraordinary Book 2022)

  • Reviews

    1. Romper

      A quiet, gentle exploration of death and dying.

    2. kvindeamy (Instagram)

      I have so many thoughts on this book I don’t know where to start. I’m not a crier, but it had me teary. I like to think I’m quite brave, but it had me unsettled. The most conflicting part of all for me: this is a children’s picture book…It’s not something I like to make a habit of thinking about, but brushing the idea of dying to one side until it’s suddenly brought into sharp focus can’t be the way to go. Maybe a children’s picture book is a good starting place after all?

    3. Romper (US)

      There is a children’s book celebrated among literary types that stands quite apart from
      anything else… Erlbruch, with his characters floating on a flat background outside time,
      teaches you to at least try to see the gift in mortality.

    4. The Lancet (US)

      Duck, Death and the Tulip is a contemplative book, a lovely way to introduce the idea of Death as unfrightening yet pragmatic

    5. New York Times (US)

      The gold standard of picture books about death is “Duck, Death and the Tulip….” It’s hard to describe how this extraordinarily tender book manages to be both heartbreaking and comforting, but it does

    6. Musing (US)

      Whether or not you will want to read it to a child — though of course life will present limitless moments when it will be appropriate — is up to you. Chances are you’ll want a copy for yourself.

    7. Patrick Ness, Time Out London, June 2011

      The most extraordinary picture book I’ve seen in many a year. A duck becomes friends with Death, and it’s the most natural thing in the world. Trust me, adults get far more weirded out by this book than children ever do. Amazing.

    8. The Children’s Bookshop newsletter, May 2011

      This is an extraordinary book, simple, powerful, unsentimental yet somehow tender, and an important addition the the ‘grief’ genre. When Duck notices Death, a skeleton in a checked robe carrying a black tulip, following her she is frightened. Together Duck and Death strike up an unlikely friendship as they speculate about the afterlife and both begin to accept the inevitability of the outcome. When summer ends Duck feels cold so she lies down and asks Death to warm her. As she stops breathing Death stokes her feathers, and gently lays her on the water and helps her drift away.

    9. Anthony Browne, The Guardian, December 2009

      Duck, Death and the Tulip by Wolf Erlbruch is a superb picture book from Germany, that tells a gentle story of the relationship between Death and a duck. Death is portrayed as a sympathetic figure in a dressing gown who is with us all the time, but who only comes into Duck’s consciousness towards the end of his life. It is warm, poignant and witty.

    10. Meg Rosoff, Financial Times, December 2009

      The most moving book I’ve read this year is the German picture book Duck, Death and The Tulip by Wolf Erlbruch, about the strange, uneasy friendship that develops between a duck and death, as the two move hesitantly towards a kind of comfortable familiarity. I can’t think of another book that tackles so huge a subject with such simple, heartbreaking eloquence.

    11. Paper Tigers,, July 2009

      At the moment Older Brother, Little Brother and I are in the middle of an intense week of rehearsals for the Ryedale Festival’s Community Opera (in North Yorkshire, UK) – this year’s production is a modernised version of the 15th Century English morality play Everyman by Em Whitfield Brookes and Tim Brookes. In a nutshell, it is about Death sent by God to summon Everyman, who is not at all ready, spiritually, to meet his Maker.

      This therefore seemed to be the right time to read together Wolf Erlbruch’s extraordinary picture-book Duck, Death and the Tulip (Gecko Press, 2008) – and the book’s translator, Catherine Chidgey, deserves a special mention too! It might seem strange to describe a book about death as beautiful but then, as I have just said, this is an extraordinary book. As Death slips Duck’s lifeless body into ‘the great river’ at the end, the reader is filled with a deep sense of peace, as well as a rueful recognition of the truth of Death’s final thought: ‘But that’s life’ – and perhaps what this story gets across particularly poignantly, but totally matter-of-factly, is that where there is life, death is inevitable. Duck is definitely horrified (and frightened) to discover at the beginning that Death is stalking her. Who wouldn’t be? Then a surprising thing happens – Duck starts to make friends with Death. What follows includes some exquisite moments, such as where Death gets cold when Duck takes him off to the pond for a swim –

      `Are you cold?’ Duck asked. `Shall I warm you a little?’
      Nobody had ever offered to do that for Death.

      Duck’s musings offer much food for thought: all the time she is preparing herself for the fact that sometime soon, she’s not sure exactly when, she will die. Erlbruch’s writing is deft in expressing the tension between loving life and preparing to let go of it. His artwork is haunting too and Duck, Death and the Tulip is a worthy follow-up to Erlbruch’s 2006 Hans Christian Andersen Award for illustration.

      A caveat, though: straightforward as it appears, Duck, Death and the Tulip raises complex ideas, which need to be given discussion space. This, however, may be as much to reassure adults that the book has indeed conveyed its life-affirming core, as to clarify any misunderstandings on the part of children. It would be a good choice of story to talk about the death from old age of a loved one – though not when grief is raw. Our context was Everyman. Erlbruch’s cultural heritage includes Schubert’s Death and the Maiden. What stories do you have in your culture which link Life and Death?

    12. Otago Daily Times, 1 November 2008

      Children’s books about death are understandable scarce – it’s a tricky, potentially gloomy topic. Duck, Death and the Tulip by Wolf Erlbruch handles the issue in a strangely appealing and even life-affirming way. Death (a smiling skull in a dressing gown) comes to take Duck away but she befriends him first. They play and discuss the possibilities of life after death, but Duck eventually dies and is carried away by the Great River. The last line is a beauty: But that’s life, thought Death. The illustrations are an exquisite mix of drawing and collage.

    13. Manawatu Standard, 27 September 2008

      This sweet little story is translated from German, the gorgeous illustrations by Wolf Erlbruch bringing the entrancing tale to life.
      It’s the story of a Duck, and her dance with Death. Only, instead of being one whirling, scary ride, it’s more like a sedate, soothing waltz.
      The language is simple, the prose amusing. The beginning, ‘For a while now, Duck had had a feeling. `Who are you? What are you up to, creeping along behind me?’
      ‘Good,’ said Death, `You finally noticed me. I am Death.’
      The minimalist illustrations, depicting interactions between the rather grandfatherly figure of Death and the inquisitive Duck, are beautifully rendered pictures which tell most of the story without words.
      The ending isn’t sad, because it’s just life. And though this book may be intended for the more adult reader, it’s told so philosophically, and with such inherent humour, it’s suitable for kids of any age.

    14. Every Child, Australia’s premier early childhood magazine, Vol. 14 No 4 2008

      The first thing the reader notices about this exquisite picture book is its visual simplicity. Erlbruch composes sketchy line drawings of the two characters – Duck and Death – in soft beige tones on high quality, creamy-white pages. One of the very few touches of colour is the purple tulip which Death carries behind him at the beginning and uses at the end to gently send Duck on her way.
      This understatement allows the author/illustrator to focus our undivided attention on the changing relationship between Duck and Death. Death joins Duck as an initially unwelcome companion, explaining that he must be there `in case’. An unlikely friendship develops between the two, with friendship’s quarrels and reconciliations. Death has an endearing personality and Duck is amazingly tender and kind – warming Death with her feathery cloak when he feels the damp down at the pond.
      The second thing the reader notices is the extraordinary courage of the book – the uncluttered nature of its graphics, the uncompromising excellence of its design and production and its honest message that `Death is always with us’.
      Early childhood educators may wonder how appropriate a book about death and dying is for young children, and it is certainly a story that is best mediated by a close, familiar adult. But the book’s approach to its topic is reassuring, and it deals with its complex theme with surprising humour. Death’s tone is wry and witty, seen when he responds to Duck’s questions about what happens when you die:
      `Some ducks say you become and angel and sit on a cloud, looking over the earth.’
      `Quite possibly.’ Death rose to his feet. `You have the wings already.’
      Gecko Press is to be congratulated on producing such a haunting, elegant and affecting book on an important theme.

    15. David Larsen, Children’s books of the year feature, The Listener, 20 December 2008

      Duck, Death and the Tulip by Wolf Erlbruch is .beautiful and one of the best books about death I’ve ever seen, for any age.

    16. Professor Margot Hillel, Australian Catholic University, December 2008

      I think this is a wonderful book. I really liked the way death is portrayed in such a way as to be non-threatening. Death truly is part of the life cycle in this book. Duck sees death as almost a friend because she has reached the end of her life span; the idea of death being quite natural in this way is a very comforting one. The illustrations reinforce this, especially the tender and loving one of death carrying Duck to the great river – which, in itself, is a lovely metaphor for Death himself. Death here is no Grim Reaper; he is a gentle part of the lives of all creatures. This is a book which would be a great stimulus for discussing these complex issues with children and may well be a comfort to them at a time of the loss of an older relative, for example.

    17. Metro, December 2008

      Being a bit of a wimp, I was quite frightened by Duck, Death and the Tulip. Duck befriends Death (a yellowed skull with a fixed smile) and, well, you can guess what eventually happens. German illustrator Wolf Erlbruch manages to infuse both the stench of death and the fragility of life into his simple, elegant drawings. In tone, if not in style, they bring to mind the dread images of his compatriot Otto Dix. So, not really a bedtime story for the very young – you’ll get far too many questions of an existential nature that you can’t hope to answer.

    18. Around the Bookshops, November 2008

      With a truly Germanic take on life and its ending, we walk with Duck through her last days as, accompanied by Death, she finally breathes her last breath and is laid by her companion on the river that takes her away forever. Personally I found this book life affirming, particularly for the way in which Duck accepts so completely what is happening to her: others may find it totally distressing. In my opinion this is a book to share carefully with a small group of children or teenagers, being prepared to stop and talk about the ideas it brings up in the listeners’ minds. If I bought this for a library collection I would want to make sure anyone who was likely to come in contact with it had an idea about its contents, especially vulnerable teenagers.
      Has ever a book evoked more discussion on the School Librarians Listserve?
      For information about Wolf Erlbruch go to
      With a truly Germanic take on life and its ending, we walk with Duck through her last days as, accompanied by Death, she finally breathes her last breath and is laid by her companion on the river that takes her away forever. Personally I found this book life affirming, particularly for the way in which Duck accepts so completely what is happening to her: others may find it totally distressing. In my opinion this is a book to share carefully with a small group of children or teenagers, being prepared to stop and talk about the ideas it brings up in the listeners’ minds. If I bought this for a library collection I would want to make sure anyone who was likely to come in contact with it had an idea about its contents, especially vulnerable teenagers.
      Has ever a book evoked more discussion on the School Librarians Listserve?
      For information about Wolf Erlbruch go to

    19. John McIntyre, Radio NZ National, Nine to Noon with Kathryn Ryan

      John: This is a stunning story and a whimsical look at a serious subject. It deals metaphorically and overtly, if that’s possible, with the reality of dying, in a picture book and in a way it’s like nothing I’ve ever seen before. It’s been so powerful there’s been a huge debate among school librarians as to its suitability. The problem they see is it’s a topic that’s not something that should be so graphically covered and the related perception is that children’s books, picture books, are only for children. That’s contestable: the subject of death is a big issue for kids and one they want to rationalise and over the past ten years the whole picture book genre has become extremely sophisticated and it’s used as a vehicle to cover a whole range of subjects.
      Here the story deals with a warm and affectionate relationship between Death, portrayed as a skeleton in a dressing-gown and slippers and the soon-to-die Duck. Now here’s a snippet: ‘ `Who are you? What are you doing creeping along behind me?’ `Good,’ said Death, `you finally noticed me. I am Death.’ Duck was scared stiff and who could blame her? `You’ve come to fetch me?’ `Oh, I’ve been close by all your life – just in case.’ ‘ And then they have a discussion as to what could happen to Duck. Death explains you could have a nasty cold, an accident or …Fox perhaps. Duck tries not to think about Fox. So they wander down to Duck’s pond and they play a little until Death finds the damp too much and they lie down together so Duck can warm Death up and the friendship grows between them and they discuss all the aspects of dying until one day at the end of summer Duck begins to feel cold and asks Death to warm her. Now the next bit’s as obvious as it is inevitable and Death farewells Duck, he’s almost moved and Death says `’But that’s life’.
      Kathryn: It’s the grim reaper but much friendlier.
      John: In the story and the illustrations we’ve got this life-affirming message about death. How’s that work?
      Kathryn: Accepting the inevitable, yes.
      John: There are a number of very effective visual metaphors: a black tulip, there’s a raven, a lurking fox but the brilliance is in the simplicity and the beauty and warmth of the story come from that gentle humour for [what is] normally such a sombre subject.

      Listen to John’s review

    20. Wairarapa Times-Age, 20 September 2008

      Kim Hill’s ‘favourite book of all time’ is certainly a very special surprise and a welcome foray into taboo territories explored by people like Heinrich Hoffmann, Maurice Sendak, Edward Gorey, Mervyn Peake, Kafka…What should, in theory, be ghoulish, damaging, nightmare material is actually soft, friendly, funny – and a little sad. That strange, half-dream world where we (including little children) can find ourselves truly alone, and yet seem to experience a calm but forthright companionship, is unflinchingly evoked in these sparse words and pictures. There’s lots of empty space and very few other things to see on each page other than the gangly, awkward Duck and Death in his jumble-sale attire.
      Of course you are left in no doubt from the first page of the inevitable outcome, so it’s not a will-he-won’t-he scenario; it’s more when and how (why doesn’t get a look in!). I can make no better recommendation than to reiterate some words on the book’s cover: ‘elegant, straightforward and, above all, life affirming’.

    21. Bill Naglekerke, Interview with Julia Marshall, Magpies, September 2008

      Likewise, one of [Gecko Press’] latest books, Death, Duck and the Tulip, is not a typical picture book. It deals with the weighty issues of life and death. [The publisher] has called it ‘a picture book form of The Book Thief’. And, like that very fine, extraordinary novel, it certainly is a brilliant, thought-provoking book featuring Death as a main character.

    22. Bill Nagelkerke, Magpies, September 2008

      This is a large-size picture book with an equally big heart. Its author/illustrator won the 2006 Hans Christian Andersen Award for illustration. In the jury citation he was described as `one of the great innovators and experimenters of contemporary children’s book illustration. Sometimes simple and elemental, at other times dense and intricate, he is always playful, humorous and philosophical.’.

      Erlbruch’s style tends towards the minimalist: his favourite technique a combination of drawing and collage. Simple forms exude complex interpretations. In the case of Duck, Death and the Tulip the artist is at his minimalist and sublime best. The empty spaces surrounding the two protagonists, Duck and Death, shout for attention and work on a level that is far more then simply excellent design. These spaces echo the deepest fears of Duck as she prepares for Death.

      The translation from the German is clear, easily accessible and finely tuned. Duck is award that Death has been shadowing her for some time now:.In the time left to her Duck and Death befriend each other. Death joins Duck in the pond, where he get a taste of his own medicine, so to speak: ‘`Are you cold?’ Duck asked. `Shall I warm you a little?’ Nobody had ever offered to do that for Death.’ Duck lives on through the summer, questioning Death on matters eschatological – `Some ducks say that deep in the earth there’s a place where you’ll be roasted if you haven’t been good.’ (Death keeps his own council on that speculation) – and the metaphysics of being/not being: but when the cool wind of autumn ruffles her feathers, Duck know her time is up. `I’m cold,’ she said one evening. `Will you warm me a little?’

      By turns moving, humorous and sad, this book offers readers of all ages a range of emotions and experiences. It does so as much in the illustration as in the text. With its illustrated collages, the shapes of Duck and Death come to expressive life in the subtle angle of a mouth, the telling tilt of a head. Has Death ever been so warmly drawn? And the tulip in the has a presence at the start and end of the story, but is absent from the middle when Duck and Death forge their unforgettable bond. What is its role? As a harbinger of Duck’s fate and as a simple wreath for Duck as she sets of on her journey on the great river. At that point Death, clearly not devoid of emotion or empathy, is `almost a little moved’ but remains the pragmatist nonetheless: .’that’s life, thought Death’, a statement that becomes an affirming irony in the context of the tale. The final illustration of a fox and a hare gambolling around a meditative Death (or is Fox hunting Hare?) serves as a silent coda that it’s not only Duck who will, at some point, encounter Death.
      Few readers could fail to be impressed in one way or another, by this outstanding book. It’s haunting and it’s hopeful. What more could anyone ask of great literature?

    23. Wairarapa News, 10 September 2008

      Most adults don’t know exactly how to breech the ominous subject of death with their children and often come up with a euphemistic metaphor that may far from adequately explain the end of life. So for a book to be able to offer children, and their parents, a clear and uncompromising view of death without being too scary or saccharine is a triumph.
      Duck, Death and the Tulip by Wolf Erlbruch does not sanitise dying and does not give it a comfortable cop-out of eternal bliss offered by so many popular religions.
      What this book does is to allow the reader to investigate their own philosophical view of what happens when we die.
      In an age when the Judeo Christian religious version of heaven and hell is no longer the standard belief default in Western Society, people are free to formulate their own view of mortality and how it relates to their perspective on living. Duck, Death and the Tulip provides a vehicle for exploring our own beliefs for both adults and children.
      Personally, I don’t want to be a parent who tells their child that Grandma is up in heaven or sleeping forever when that is not something I believe myself. I don’t want to scare them with threats of hell fire or have them brainwashed by fantastical promises of an unsubstantiated utopian afterlife. Our whole philosophical worldview is based on metaphors we construct for ourselves out of ideas that make sense and I like the concept that this little book espouses so elegantly.
      The illustrations are deft in their sensitivity and clarity.
      In a strangely heart-warming story, a duck strikes up an unlikely friendship with Death.
      The character of Death is depicted as a dressing-gown clad figure with a stylised skull for a head. Obviously any representation of a skull comes heavily loaded with our pre-conceived baggage that we hang on this symbolism, but the look of the character is softened by the rest of the figure who looks like they are perpetually ready for bed or haven’t bothered to get dressed for the day.
      Death is not mean, nor is she woolly in her approach to the terminus which she represents.
      I guess the big question for anyone before they read this, is what is the philosophical conclusion of this book if it is not heaven or hell? Give it a read and it might give you something to consider as you take one more step towards the inevitable.

    24. Nelson Mail, 13 August 2008

      It is hard to believe that there could be a more beautifully understated and poignant book about the endgame that stalks us all than Duck, Death and the Tulip. The format suggests a children’s book, but the short tale of a charmingly guileless Duck befriending Death when he creeps up behind her feels ancient in its wisdom. Erlbruch’s artwork, combining drawing and collage, is mermerising, applied with great subtlety and care to convey precisely the pathos, futility but also the unwitting affection of Duck’s innocent dance with Death. So too the narrative, translated from its original German into English by Catherine Chidgey – is hauntingly spare and precise. Anybody who cares for the fragility of the spirit will be captivated, and moved.

    25. Feilding Herald, 4 September 2008

      Duck, Death and the Tulip is another beautifully presented book from New Zealand’s Gecko Press.
      Erlbruch, who also wrote The Mole Who Knew It was None of His Business, has written about a subject we all have to face sooner or later. And he has written about it in a winsome, heart-warming way. Duck realises someone has been following him for some time and strikes up an unlikely friendship with Death, portrayed as a friendly skull wearing a tartan dressing gown, who doesn’t like swimming. The illustrations are very simple and the message is clear: death is part of life. There is no religious message, and when Duck suggests she may become an angel on a cloud, Death neither denies or confirms. ‘Maybe,’ he says, ‘you have the wings already.’ This is a book which parents will want to supervise with their children. It is not an easy subject to approach, but this book does it gently. While the book may be acceptable to some 5-year-olds, it should be at the discretion of the parents and older children may be able to deal with it better. But adults will find this attractive book very thought-provoking.

    26. Ann Packer, Indulgence, Dominion Post, 6 September 2008

      Simple it may be – but not for the very young. Duck, Death and the Tulip transcends categorisation – not since John Brown, Rose and the Midnight Cat has a picture book so eloquently addressed the idea of impending death. As in Markus Zusak’s The Book Thief, where Death is also an active player, German Wolf Erlbruch’s simple text (translated by Catherine Chidgey) with [its] gentle puns and pared-back, androgynous pictures reinforce the idea of death as an integral part of life. Duck discovers that while Death has always been around, he is not there to ‘make something happen’ – life itself does that; Death simply waits in the wings until he is needed.

    27. Taranaki Daily News, 30 August 2008

      One day, a duck notices Death creeping along behind her.
      She is scared stiff but as they talk, visit the pond and climb trees, her initial fear gives way to acceptance and friendship as her life moves inevitably towards its end.
      Translated from German, this is a straightforward narrative
      told in a matter of fact but somehow reassuring tone, and
      underpins the message that death is a companion in life,
      never very far away and an unalterable part of the flow of
      And the drawings? Duck and Death come to life, almost
      seeming to move on the page. The duck is slender, surprised

      and quaintly comical and death is personified as a shabby,
      shapeless and quirky figure topped with a skull whose big
      hollow eye sockets glow with expression.
      At first glance a picture book for children, this book will
      evoke a response in any age of reader. The understated

      recognises that death is the one certainty in life and
      manages to convey this in a way that is both unsentimental
      and moving.
      This is a book to keep and treasure, a beautifully crafted
      synthesis of words and images, and also a book that helps
      us explore our feelings towards death, the biggest and most
      mysterious event towards which all life is headed.

    28. Time Out Bookstore, Spring 2008 Newsletter

      This is the book that Kim Hill deemed her favourite book of all time. It’s a stirring, deep and gentle picture book about death, suitable for older children and adults.

    29. Ruth Todd of Plains FM

      It is so complete – the beautiful words and the wonderfully evocative illustrations – every home should have a copy of Duck, Death and the Tulip.

    30. Judith Moore, Daily Post, 23 August 2008

      Death can be a bewildering, scary concept to explain to children so Erlbruch’s quirky tale with his own equally quirky pictures may be very useful – for adults as well as children.
      Duck meets and befriends Death. Together they explore Duck’s favourite places, and a few of Death’s. However, time is passing and the inevitable happens to Duck but Death is kind and gives her a peaceful, graceful exit.
      Another unusual, quality book from Gecko Press.

    31. The Age, Melbourne, 17 August 2008

      Like the fox and the rabbit featured at the end of this story, we all like to dance around Death. But German author and illustrator Wolf Erlbruch doesn’t let readers – or Duck – off lightly. This beautifully illustrated volume may confound those used to ducks being funny. (Do you think Daffy ever grappled with the existential angst Erlbruch reserves for his little Duck?) Plain-speaking Death does not sugar-coat the subject nor resort to euphemisms. Ultimately, though, this book invites more questions than answers, so be prepared for lots of questions (especially your own). But don’t be too hard on yourself if you can’t supply all the answers, because, as it turns out, neither can Death. This is a great way to introduce young readers to a subject that is complex and confusing.

    32. Graham Hepburn, Picture Book column in Canvas, 16 August 2008

      Once more Gecko has unearthed a gem with its translation of a bittersweet work by an award-winning German author. You know when Duck meets Death on the first page that things aren’t going to turn out well but this haunting and sparely illustrated book somehow manages to be heart-warming and humorous. Some nice lines, too, such as Duck suffering goosebumps and Death observing at the end, ‘But that’s life.’ Get the hardback ($29.99) because you’ll want to keep it.


    33. Northern News, 13 August 2008

      Death isn’t a subject you encounter in most children’s books. But in Duck, Death and the Tulip death walks, talks, smiles and climbs trees.
      ‘You’ve finally noticed me,’ says Death to Duck. And so begins a conversation that sees Duck warm to her new companion and become his friend. ‘He was nice if you forgot for a moment who he was’, she says.
      Duck, Death and the Tulip by German author and illustrator Wolf Erlbruch will intrigue, haunt and enchant readers of all ages.
      The book deals with a difficult subject in a way that is elegant, simple and life-affirming. Publisher Julia Marshall says she chose the book because of the way it moves people and because of its extraordinary beauty.

    34. Carol Dean, National Association for Loss & Grief

      This is a delightfully presented story which presents the character of Death in a developing relationship with a duck. Wonderfully illustrated, the tale has poignant moments of insight and warmth. In its open-minded approach to the often-avoided subject of death, the book brings a warm and positive message to readers of all ages. I thoroughly recommend it.

    35. Kate de Goldi, Radio NZ National Saturday Morning with Kim Hill, 2 August 2008

      Kate: Duck, Death and the Tulip is about the end but it’s also about how death is our constant companion and we

      must kind of acknowledge that.
      Kim: I love that book.
      Kate: I think it’s just an extraordinary book on so many levels. Is it a children’s book? Not [for] every [child],

      but it’s a picture book for all ages. Graphically it’s the most beautiful book. There’s so much courage in the

      drawings. There’s one page where there is almost complete white – you just have the text, then a white page and

      the skull of Death and Duck poking out of a tree.
      Kim: It’s an artefact, alright.
      Kate: It’s beautifully designed. Once again, as with all Gecko Press books, it’s done on the most beautiful stock,

      the production’s fantastic. But the thing I like most about it is that death is kind of a companion of Duck that

      only comes into focus when Duck is nearing the end. There’s a bit at the beginning of The Life Of Pi where the

      guy says Death is envious of Life and I like the idea that they were kind of companions, in sort of conflict a lot

      of the time because life is so colourful. But this is an antidote to that notion: Death has a personality and is

      just the other side of the coin. Hasn’t he got the most endearing face? Do you think of him as a he?
      Kim: Yeah
      Kate: Who would you give this book to, Kim? Who would you read it to?
      Kim: I’ve left it in the spare bedroom for everybody.
      Kate: … It’s affirming.
      Kim: I wouldn’t give it to a child directly, I would give it through the parents because it’s quite deep and needs

      perhaps I don’t know…
      Kate: Its greatest service is [that] it makes us consider the fact that we’re with death all the time and when it

      chooses to come into focus, we don’t know.
      Kim: Nicely put.

      Listen to Kim Hill and Kate de Goldi discuss Duck, Death and the Tulip Follow the link to Children’s Books

    36. Laura Kroetsch, Good Morning TV, 1 July 2008

      Duck Death and the Tulip is the most beautiful beautiful beautiful book. Duck meets Death and Duck has to learn what Death means. It is a wonderful narrative about how we die and what happens when we die. Death is a completely sympathetic figure. I would give it to a five year old, I would give it to a two year old, I would give it to a grown up. I almost cried when I read it the first time. It is perfect and beautiful. Get it!

    37. Kim Hill interviewing Julia Marshall on Radio NZ National Saturday Morning, 4 July 2008

      Duck, Death and the Tulip is now my favourite book of all time. I love it. There’s a beautiful picture, a drawing, in here, of the duck draping itself over Death in order to keep it warm…. the whole thing is worth reading again and again…I’m going to go home and put it on the table and invite everybody to pick it up.
      Hear the whole interview

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