Gecko Press authors and illustrators have excellent taste, so we figured they were excellent people to ask for recommendations.
Read on for some inspiration.
Kimberly Andrews, illustrator, Song of the River
What author or illustrator working today would you love to work with or do you particularly admire?
I have always admired Helen Oxenbury and her illustration style and especially loved how she combined watercolour spreads and black and white charcoal drawings in We’re Going on a Bear Hunt. I also find Carson Ellis very inspiring. Her colour palette and style of illustration reminds me of life in my childhood and family home.
Nora Brech, author/illustrator, Cornelia and the Jungle Machine
What author or illustrator working today would you love to work with, or do you particularly admire?
Júlia Sardà! She is amazing!
Giselle Clarkson, illustrator, The Gobbledegook Book
What author or illustrator working today would you love to work with or do you particularly admire?
This might be a bit of an obvious answer, but I have wanted to be Quentin Blake since I was in kindergarten! I also really like books by Ole Könnecke. I have an almost total, lifelong aversion to most sports but Sports Are Fantastic Fun! actually had me on board! It’s also a fantasy of mine to illustrate a giant encyclopaedia of animals like he did.
Barbara Else, author Harsu and the Werestoat
What was your favourite book when you were 10?
I loved books of all kind—true stories from history, gritty fairy tales like E Nesbit’s, school stories by Enid Blyton, a book called Into the Happy Glade by Trevor Dudley Smith that made me roll on the floor laughing every single time I read it. I especially adored C. S. Lewis’s Tales of Narnia. My favourite was The Magician’s Nephew — the one that explains how the world of Narnia began. Between all the worlds lies a wood of slender trees and quiet ponds. If you sink into a pond it will take you to a new world. That is a gorgeous image of what happens when we read—we sink into a story and find ourselves in extraordinary places.
Ulrika Kestere, author/illustrator, Otto Goes North
What authors and illustrators working today do you particularly admire?
I love Beatrice Alemagna, Machiko Kaede, Kate Pugsley, Rebecca Green and many more!
Catharina Valckx, author/illustrator, Zanzibar, Bruno, Lisette’s Green Sock (coming May 2020)
Can you recommend some books for early readers that were originally written in French?
My favourite books written in French for young readers aren’t translated into English. For instance, Nono Ouvre un Magasin or La Baguette qui Marchait Pas by Nadja, or the stories of Grignotin et Mentalo by Delphine Bournay. I can warmly recommend Poor Little Witch Girl by Marie Desplechin, and of course the comics Asterix and Obélix (Goscinny and Uderzo), Tintin (Hergé), Gaston Lagaffe (Franquin) … all are classics that I loved.
Eric Veillé, author/illustrator, My Pictures After the Storm, Encyclopedia of Grannies
What author or illustrator working today would you love to work with or do you particularly admire?
I love Kitty Crowther’s work and how she can talk about everything without any taboo, Catharina Valckx’s well thought-out and funny stories, and Axel Scheffler drawings.
Bei Lynn, author/illustrator of Bibbit Jumps (coming July 2020)
What author or illustrator working today would you love to work with or do you particularly admire?
I love Kitty Crowther and Isol, and feel they are creators who really believe in children. Whatever their stories
Frida Nilsson, author The Ice Sea Pirates, Hattie
Can you recommend some other books for children originally written in Swedish?
Den Vita Stenen (The White Stone) by Gunnel Linde, Loranga, Masarin & Dartanjang (Soda Pop) by Barbro Lindgren, Josefin (Josephine) by Maria Gripe, Pappan Och Havet (Moominpappa at Sea) by Tove Jansson – Jansson was from Finland but wrote in Swedish), Ronja Rövardotter (Ronia, The Robber’s Daughter) by Astrid Lindgren.